All version guides

Marshall JTM45: every version

Every version, how to tell them apart, how to date one, and what to check before you buy. 6 versions, 1962–present.

The JTM45 was Marshall's first amplifier: a Bassman-derived head with two channels, a GZ34 valve rectifier and, from about 1964, KT66 output valves. It was built from the end of 1962 until 1966, when it became the EL34-powered JTM50. The same circuit went into the 1961 and 1962 “Bluesbreaker” combos and a 100-watt version, and Marshall has reissued the head and the 2×12 combo since 1989. The badge, the panel and the output valves date an original; the circuit board and the model number give away a reissue.

The versions, in order

JTM45 head (Late 1962–1966)

JTM

Marshall's first amp: two channels, four inputs, one shared tone stack, a GZ34 rectifier and, from about 1964, two KT66s.

How to spot one

  • The earliest heads have white fabric fronts and a red-on-silver block-capital “coffin” badge; later heads carry the script logo.
  • Aluminium front panels printed “JTM 45” arrive around 1963; gold plexiglass panels follow from about 1965.
  • Controls: Presence, Bass, Middle, Treble, Loudness 1 and Loudness 2, with four inputs across the two channels.
  • A GZ34 valve rectifier and three ECC83s; the earliest amps used 5881 (6L6-type) output valves, with KT66s standard by about 1964.
  • An all-aluminium chassis, usually with a closed-back Celestion-loaded 4×12 cabinet rather than the open-back Bassman layout it was derived from.

Specs

Power tubes2 × KT66
RectifierGZ34 tube
Phase inverterLong-tail pair
Preamp tubes3 × ECC83

JTM45/100 (1965–1966)

JTM

Marshall's first 100-watt head: four KT66s, and on the first examples two JTM45 output transformers.

What changed from the JTM45 head

  • Power tubes: 2 × KT66 → 4 × KT66
  • Two more KT66s for 100 watts; the first examples used two output transformers to carry the extra power.

How to spot one

  • Four KT66 output valves instead of two.
  • The first examples used two 50-watt output transformers side by side to handle the extra power.
  • The same four-input, two-channel layout as the JTM45 head.
  • It was soon succeeded by the 100-watt Super 100, the ancestor of the 1959 Super Lead.

Specs

Power tubes4 × KT66

Model 1961 and 1962 “Bluesbreaker” combos (c. 1964–1972)

JTM

The JTM45 circuit with tremolo in open-back combos: the 1961 with four 10-inch speakers, the 1962 with two 12s.

What changed from the JTM45 head

  • The head circuit went into open-back combos (4×10 and 2×12) with a tremolo circuit.

How to spot one

  • Model 1961: a 4×10 combo; Model 1962: a 2×12 combo. Both have open-back cabinets and Celestion speakers.
  • A tremolo circuit is part of the design.
  • JTM45-era examples run two KT66s and a GZ34 for about 35 watts.
  • Combos built after the move to the JTM50 (from 1966) use EL34s.
  • Later production uses a slightly thinner cabinet than the earliest combos.

Specs

RectifierGZ34 tube

JTM45 2245 reissue and the Offset edition (1989 on)

Reissue

The JTM45 head reissued as the Model 2245: the original layout on a printed circuit board, still with a GZ34.

What changed from the JTM45 head

  • Power tubes: 2 × KT66 → 2 × 6L6
  • The reissue moved the circuit onto a printed circuit board and first shipped with 6L6-type output valves.

How to spot one

  • Model number 2245 on the back panel.
  • Printed circuit board construction, where the originals were hand-wired.
  • Two channels and four inputs as on the original, with a GZ34 valve rectifier, rated at about 30 watts.
  • The first reissues used 6L6-type output valves rather than KT66s.
  • The limited Offset edition recreates the earliest coffin-badge heads; a hand-wired 2245THW with tremolo followed in 2014.

Specs

Power tubes2 × 5881
RectifierGZ34 tube
Phase inverterLong-tail pair

1962 Bluesbreaker reissue (1989 on)

Reissue

The 2×12 Bluesbreaker combo reissued with tremolo and a GZ34; 6L6s at first, 5881s from 1993.

What changed from the Model 1961 and 1962 “Bluesbreaker” combos

  • Only the 2×12 Model 1962 was reissued; it kept tremolo and the GZ34 but used 6L6s, then 5881s from 1993, instead of KT66s.

How to spot one

  • A 2×12 combo with the JTM45 circuit, tremolo and a GZ34 valve rectifier; the 4×10 Model 1961 was never reissued.
  • Three ECC83 preamp valves.
  • 1989 reissues use 6L6 output valves; from 1993 Marshall fitted 5881s.
  • The 1989 reissue's tremolo has no footswitch.

Specs

RectifierGZ34 tube
Phase inverterLong-tail pair
Preamp tubes3 × ECC83

Super 100JH (2006 (limited edition))

Limited edition

A hand-wired, 600-piece recreation of a 1966 Super 100, the successor to the JTM45/100.

What changed from the JTM45/100

  • A hand-wired recreation of the 1966 Super 100 that followed the JTM45/100, sold only as a limited stack.

How to spot one

  • A limited run of 600, sold as a full stack with matching 1982A and 1982B cabinets.
  • Four KT66 output valves and three ECC83s for 100 watts.
  • Controls: Presence, Bass, Middle, Treble, Loudness 1 and Loudness 2.
  • Hand-wired, recreating a 1966 head.

Specs

Power tubes4 × KT66
Preamp tubes3 × ECC83
ConstructionHand-wired

JTM45 buying checklist

Date it

Check it’s original

What usually needs work

Questions buyers ask

Is the JTM45 a copy of the Fender Bassman?

Its circuit was derived from the 5F6-A Bassman, but British parts, KT66 valves and closed-back Celestion cabinets gave it its own sound.

What's the difference between a JTM45 and a JTM50?

From 1966 the head was renamed JTM50 and moved to EL34 output valves, and the GZ34 later gave way to a solid-state rectifier.

Is the Bluesbreaker a different circuit?

No. The 1961 and 1962 combos use the JTM45 circuit with tremolo added, in open-back cabinets.

Are the reissues hand-wired?

The 1989 2245 head and the 1962 combo reissue are built on circuit boards. The 2245THW (2014) and the Super 100JH are hand-wired.

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