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Fender Deluxe 5E3 vs Fender Bassman 5F6-A
Circuit differences, stage by stage, from Gridleak’s verified redraws of both schematics: 31 differences, 16 the same.
What’s different, and why it matters
Both tweeds start the same way, with a 12AY7 first stage whose two halves share one cathode, and then have very little in common. The 5E3 has a single tone control, no cathode follower, a cathodyne phase inverter, no negative feedback and two cathode-biased 6V6GTs on a 5Y3GT. The Bassman adds a treble/bass/middle stack driven by a cathode follower, a long-tail pair with feedback and presence, and two fixed-bias 5881s on a GZ34.
- The 5E3 Deluxe runs two 6V6GTs and the Bassman 5F6-A runs two 5881s. 6V6s are smaller tubes that run out of headroom, and break up, at lower power; 5881s (a 6L6-type tube) are usually described as round, with a firm low end.
- Both use a tube rectifier, but different ones: 5Y3GT in the 5E3 Deluxe, GZ34 in the Bassman 5F6-A.
- The Bassman 5F6-A has a cathode follower and the 5E3 Deluxe doesn't. A cathode follower drives what follows it from a low impedance, so less is lost in the tone stack, and it compresses when pushed.
- The Bassman 5F6-A's tone stack sits after all of its gain stages; the 5E3 Deluxe's sits before one more gain stage. EQ at the end of the preamp shapes the finished sound; EQ ahead of a gain stage shapes what that stage amplifies, and clips if it is driven hard.
- The 5E3 Deluxe's output tubes are cathode-biased; the Bassman 5F6-A's are fixed-biased. Cathode bias lets the operating point shift as the tubes are driven harder, which compresses and softens the breakup; fixed bias holds it steady, for more headroom and a firmer response.
- Tone controls: single tone control on the 5E3 Deluxe, treble / bass / middle stack with a slope resistor on the Bassman 5F6-A.
- The Bassman 5F6-A uses negative feedback around the power amp and the 5E3 Deluxe uses none; no feedback means more gain, a rawer, more forward midrange and an earlier, looser breakup.
- Phase inverter: cathodyne (split load) in the 5E3 Deluxe, long-tail pair in the Bassman 5F6-A. A long-tail pair has gain of its own and a larger output swing to drive the power tubes; a cathodyne has no gain of its own and a smaller swing.
- Only the Bassman 5F6-A has a presence control (it shapes the feedback loop to lift the upper treble); the 5E3 Deluxe has none.
At a glance
| Fender Deluxe 5E3 | Fender Bassman 5F6-A |
|---|
| Years | 1955–1960 | 1958–1960 |
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| Origin | USA | USA |
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| Rated power | 15 W | — |
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| Channels | 2 | 2 |
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| Preamp tubes | 1 × 12AY7 + 1 × 12AX7 | 2 × 12AX7 + 1 × 12AY7 |
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| Power tubes | 2 × 6V6GT | 2 × 5881 |
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| Rectifier | Tube (5Y3GT) | Tube (GZ34) |
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| Phase inverter | Cathodyne (split load) | Long-tail pair |
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| Master volume | none | none |
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| Effects loop | no | no |
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| Reverb | no | no |
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| Notable players | Neil Young | — |
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Stage by stage
Inputs and channels
| Fender Deluxe 5E3 | Fender Bassman 5F6-A |
|---|
| Inputs | 4 | 4 |
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| Channel switching | front panel only / none | front panel only / none |
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| Voicing / power switches | none | none |
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Preamp
| Fender Deluxe 5E3 | Fender Bassman 5F6-A |
|---|
| Preamp tubes | 1 × 12AY7 + 1 × 12AX7 | 2 × 12AX7 + 1 × 12AY7 |
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| Triode gain stages (all channels) | 3 | 3 |
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| Most gain stages in series | 2 | 2 |
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| Gain stage 1 | 12AY7 · plate 100 kΩ · cathode 820 Ω, 25 µF bypass (shared) (×2: Instrument channel, Microphone channel) | 12AY7 · plate 100 kΩ · cathode 820 Ω, 250 µF bypass (shared) (×2: Bright channel, Normal channel) |
|---|
| Gain stage 2 | 12AX7 · plate 100 kΩ · cathode 1.5 kΩ, 25 µF bypass | 12AX7 · plate 100 kΩ · cathode 820 Ω, unbypassed |
|---|
| Cold-biased stage (clipper) | none | none |
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| Cathode follower | no | yes |
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| Bright cap(s) | none | 100 pF |
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| Coupling caps (preamp) | 0.1 µF | 0.02 µF |
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| Diode clipping | no | no |
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Tone stack
| Fender Deluxe 5E3 | Fender Bassman 5F6-A |
|---|
| Type | Single tone control | Treble / bass / middle stack with a slope resistor |
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| Position | after gain stage 1, driven by a plate; 1 gain stage after it | after gain stage 2, driven by a cathode follower; no gain stages after it |
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| Slope resistor | not on the drawing | 56 kΩ |
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| Treble cap | not on the drawing | 250 pF |
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| Bass cap | not on the drawing | 0.02 µF |
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| Middle cap | not on the drawing | 0.02 µF |
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| Pots | tone 1 MΩ | treble 250 kΩ · bass 1 MΩ · middle 25 kΩ |
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| Master volume | none | none |
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Effects
| Fender Deluxe 5E3 | Fender Bassman 5F6-A |
|---|
| Effects loop | no | no |
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| Reverb | no | no |
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| Tremolo / vibrato | no | no |
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Phase inverter
| Fender Deluxe 5E3 | Fender Bassman 5F6-A |
|---|
| Type | Cathodyne (split load) | Long-tail pair |
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| Tube | 12AX7 | 12AX7 |
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| Plate loads | 56 kΩ | 82 kΩ / 100 kΩ |
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| Tail / cathode load | 56 kΩ | 10 kΩ |
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| Cathode bias resistor | 1.5 kΩ | 470 Ω |
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| Input coupling cap | 0.02 µF | 0.02 µF |
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| Coupling to power tubes | 0.1 µF | 0.1 µF |
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Feedback
| Fender Deluxe 5E3 | Fender Bassman 5F6-A |
|---|
| Negative feedback | no | yes |
|---|
| Feedback resistor | not on the drawing | 27 kΩ |
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| Feedback taken from | not on the drawing | speaker output |
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| Presence | no | yes (5 kΩ pot, 0.1 µF cap) |
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| Resonance / depth | no | no |
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Power amp
| Fender Deluxe 5E3 | Fender Bassman 5F6-A |
|---|
| Power tubes | 2 × 6V6GT | 2 × 5881 |
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| Configuration | Push-pull | Push-pull |
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| Bias | Cathode bias (250 Ω) | Fixed bias |
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| Screen resistors | none (screens straight from the supply) | 470 Ω |
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| Grid stoppers | 1.5 kΩ | none |
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Power supply
| Fender Deluxe 5E3 | Fender Bassman 5F6-A |
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| Rectifier | Tube (5Y3GT) | Tube (GZ34) |
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| First filter (reservoir) | 16 µF | 40 µF (2 × 20 µF) |
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| Filter nodes, in order | 16 µF → 16 µF → 16 µF | 40 µF (2 × 20 µF) → 20 µF → 20 µF → 8 µF |
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| Filter choke | no | yes |
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| Highest DC voltage printed on the drawing | not printed | 432 V |
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| Printed bias voltage | not printed | -48 V |
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